Allan Quatermain and the Lost City of Gold is the film equivalent
of watching the local neighbourhood kids as they act out scenes from their
favourite movie in the schoolyard. The little tykes have a lot of energy
and its kind of fun to watch at first, but after awhile it just gets a little
ridiculous. In this 1987 sequel to King Solomon’s Mines, Richard Chamberlain
plays the title character and is surrounded by a pretty decent cast including
Sharon Stone as his archeologist girlfriend and James Earl Jones as a guy
with a huge axe named Umslopogass. Quatermain finds out that his brother
is living in the mystical Lost City of Gold and puts together a team of adventurers
to find it. Needless to say, they discover the city after a treacherous
journey and find that it has been taken over by a gold-crazed madman (Henry
Silva) and Elvira herself.
Everything is set for a rip-roaring adventure, but unfortunately the screenwriter
is too busy seeing how many times he can rip off Indiana Jones and the Temple
of Doom to even remotely bother about creating something new and exciting.
Do we really need another sacrificial pit filled with molten liquid, gold
this time, getting in the way of our heroes? Yet, the film is gloriously
goofy (at one point the team is attacked by giant killer worms) and has quite
a few unintentional laughs (they don’t even bother to hide the wires when
characters get tossed into the air). Most importantly though is the fact
that the cast seems to realize they are in a schlock film and they make the
most of it. Henry Silva’s maniacal laughter is rather infectious and James
Earl Jones really loves that axe. So, while it is far from being a good movie,
Allan Quatermain certainly isn’t the worst way to spend an hour and
a half.
Fortunately, MGM has treated this film pretty well. The film is presented
in Anamorphic widescreen and the image is quite nice. The jungle footage
looks fantastic, and my only complaint is that the image was a tad soft in
a few spots. The 2.0 surround is serviceable. The music cues come through
loud and clear.
The only special feature is a theatrical trailer, but it’s one of those
trailers that included tons of footage that isn’t in the movie. Because of
this fact I was dying to see some deleted scenes (including an action scene
that looks awfully similar to one film’s mine cart chase), but alas that will
probably never happen.
Review By Corey Brown