Stephen Fry starts off Bright Young Things with a lavish party.
There are many more parties in the middle and near the end as well, so many
in fact that the central figure of the story, Adam Fenwick-Symes (Stephen
Campbell Moore) becomes shell-shocked by the exuberant lifestyle he and his
friends are leading. Fry’s film studies the frantic, youthful world of 1930s
England with an energetic and dizzying style.
The main plot revolves around Adam attempting to find enough money to marry
Nina (Emily Mortimer). Every financially prosperous situation he finds goes
sour; however, and Nina eventually starts looking at other prospects. Although
this plot drives the film, Fry is much more interested in the wildly eccentric
characters that populate this society. For the first hour this journey is
fascinating and darkly funny, allowing its many side characters the chance
to make scathing, yet incredibly superficial observations on their world.
Yet, things take a decidedly darker path in the second half, and although
I appreciated what the movie was saying, the abrupt change in tone is far
too jarring. The characters begin to pay for their way of life and suddenly
the audience is asked to care about them. Unfortunately, they are all obnoxious
self-centered socialites who intentionally try to shield people from finding
out who they really are. It is hard to feel sympathy for these people. This
emotional detachment would be fine if the second half maintained the film’s
satirical edge, but the movie slowly begins to take itself seriously. Bright
Young Things is filled with brilliant moments and has a lot to say, but tries
to say it in too many different ways.
The new DVD from MGM is a very nice set. The video transfer is very well
done, nicely conveying Henry Braham’s marvelous cinematography (love those
theme parties). The audio is also great allowing the home video audience
to feel like they have just stepped into the wild English nightlife. To top
it all off, the DVD contains a small, but very nice set of extras. The commentary
with Stephen Fry is informative and fun. He provides a lot of nice insights
into the time period. A short feature on him as a first time director is
somewhat disappointing. While I’m sure Stephen Fry is a very nice man, it
becomes kind of redundant to hear everyone involved in the production saying
how wonderful he is. Much better is a documentary on Bright Young Things
directed by the set runner, and from his point of view, entitled From the
Bottom Up. It’s a refreshing take on behind the scenes documentaries and
it provides some nice insights into what the lesser-known jobs are all about.
Review By Corey Brown
English: Dolby Digital 5.1
Director’s commentary, Stephen Fry: Director, From the Bottom Up: The Making of Bright Young Things