The Chanthology is a complicated set of films to review from a
twenty-first century perspective. These six movies released in 1944 and 1945
are definitely products of their time focusing on wartime paranoia and relying
heavily on racial stereotypes. Each film follows Singapore-born detective
Charlie Chan as he solves elaborate murder cases, often involving stolen
government secrets, with one of his children.
The back of the box claims, “Created in a time when casting Caucasians in
minority roles was considered acceptable, the Charlie Chan films continue
to spark debate to this day”. It’s easy to see why these debates occur considering
the main actor Sydney Toler is positively robotic in his portrayal of the
lead detective. His line delivery is painfully monotonous and he brings
little humanity to the role of Charlie Chan. Also, as each film runs just
slightly over one hour there is very little time to get to know any of the
suspects in these movies. The only character to make much of an impact is
the Chan family’s black servant Birmingham Brown (Mantan Moreland), who is,
unfortunately, at the mercy of some rather disparaging stereotypes. It’s
a testament to Moreland’s ability that he rises above the material and allows
Birmingham to become a stronger character throughout the series (there’s
an especially wonderful scene in The Scarlet Clue where he does his
vaudeville act with partner Ben Carter). The biggest pleasure in watching
these films is trying to follow the delightfully loopy cases themselves,
usually involving high tech equipment. Each case seems to try and top the
previous film by finding more outrageous and preposterous methods of killing
a human being. My favourite death trap happens to be the bullets made of
frozen blood that were shot out of a cigarette case spring gun. As a window
into the past, these films are illuminating and it’s fun to watch these characters
be fascinated by the potentials of technological achievements. As movies
though they are less successful as there are few characters to engage with
and a rather convoluted idea of logic.
The box set does not include any special features but does have a fairly
decent video transfer. The image is scratchy in parts, but that’s to be
expected for such an old series of films. For the most part though the movies
look sharp. The mono soundtrack is adequate if nothing more. The sound
effects come through and the dialogue is distinguishable.
Review By Corey Brown
English: Mono
Includes the films Charlie Chan and the Secret Service, The Chinese
Cat, The Jade Mask, Meeting at Midnight, The Scarlet Clue, and The Shanghai
Cobra.